Monday, April 13, 2009

Habit Forming Love!

Introducing Habit Forming Love,

photo-39photo-161photo-11photo-18photo-6photo-38photo-5photo-8

They say it takes 21 days to form a habit…so on March 4th 2009 I embarked on a journey to love myself, my community and my chosen romantic partner intentionally, bravely, loudly and proudly. And now I am ready to share the results with you! In addition to teaching myself how to love, by transmitting my love via internet video I was also teaching myself how to make simple yet effective at home videos using my computer, my phone and very basic editing software and how to make those videos internet accessible.

This experiment has taught me so much. I have emerged less self-conscious about my own face, more confident about the miraculous vitality of love in all of its forms and more adept at using online video as a tool for self-expression, affirmation and community education.

The three focus areas of my project were

Self:

for example:


(Go to www.loveforself.blogspot.com to see the whole 21 day process)

Community

for example…

(Go to www.habitforminglove.blogspot.com for the whole 21 day process)

and Romantic Love

(Sorry loves…the whole process is for Julia’s eyes only wink!)

Browse the “life” “love” and “community” sections of this site to see some of my more detailed reflections on each process and more examples.

One of the most important things that this process taught me is that even an analog girl in a digital world can make compelling, effective video. I don’t have to be perfect to carry the message of love that my ancestors are speaking through me and the video doesn’t have to be perfect to carry it’s message. The magic is in the medium. Try it yourself, and email brokenbeautifulpress@gmail.com if you want to share!

love (is a habit),

lex

Wednesday, April 08, 2009

Betty's Daughter Arts Collaborative continues the "Working Our Rainbows: Critical Approaches to Africana Women's Performance Methodology" Series

Peace family. As I continue to think about "women's work", political division, art, community and sustainability, I am critically looking at these terms-feminist and womanist and how they create/define/conflate/re-iterate power, everyday "happenings" and creative performance dynamics among Black women.

The Working Our Rainbows Series is an at-home, mobile device, on line lecture series devoted to Black Women in Performance Studies. Please email bettysdaughterarts@gmail.com if you would like to host a lecture!


This weeks lesson:

1. Watch Staceyann Chin's performance of "Feminist or Womanist".
http://www.youtube.com/watch?v=PQOmyebFVV8

2. Read Revisiting "What's in a Name?": Exploring the Contours of Africana Womanist Thought
Nikol G Alexander-Floyd, Evelyn M Simien. Frontiers. Boulder:2006. Vol. 27, Iss. 1, p. 67-89,131-132 (25 pp.)

I will email the essay if you would like.

3. Write a letter to yourself answering some or all of these questions: 1. Am I a feminist? 2. Am I a womanist? 3. How do I identify politically, culturally, socially?

4. If you were talking to Alice Walker right now, what would you say to her about womanism? 5. If you were talking to Clenora Hudson Weems right now, what would you say to her about womanism? 6. If you were speaking to Audre Lorde right now, what would you ask her about hybridity? 7. If you were talking to your mama right now what would you ask her about herself?

Hit me up on facebook or respond on my blog here!


Peace and performance!

Ebony Noelle Golden
bettysdaughterarts@gmail.com
bettysdaughterarts.synthasite.com

Tuesday, March 31, 2009

How to Build a Community-from Noemi Martinez

Noemi Martinez offers this incisive and insightful feedback on how to building inclusive community from the perspective of a single mother of color.

How to Build a Community

that involves single parents, or steps to take so that I won’t be part of your community

first, what is your definition of a community?

  • realize that parents are people. Realize that parents are people. Realize that parents are the same people you knew before.
  • realize that parents can be activists, but they are also parents. They have different things on their mind. Single parents often have things such as food, rent, money, health on their mind. Unlike the single person, they are usually thinking of their child(ren) when they think about these things. Sometimes a single parent (take me for example) cannot concentrate on the latest protest, though important as it may be, because I may be thinking of what will my next job be, and the addition of subtraction of money in my head.
  • to build a community, parents and children should be welcome and not feel they can’t attend a meeting/event because of their baby(ies).

  • don’t roll your eyes when someone brings up childcare.
  • realize the different situations of a single parent and a family that has 2 parents. If you don’t realize the difference, start asking questions.
  • since when does your community involvement only concern the childless, or those that can leave their kids with someone else, the other parent, a spouse/ or friend. Yes, in theory, the children can be left with babysitters. Who need to be paid.
  • ever think why parents stop being involved in community events and meetings?
  • if single parents don’t feel you or the community cares about what it means to be a parent, a single parent, they won’t seek you out for help. This is not community. This is not a welcomed community.
  • parenting and being a role model to kids in your community is important because they will be the activists of tomorrow.
  • ask yourself why access to cultural events, planning and meetings for single parents is not important enough for you to have thought of before.
  • why is motherhood and heavens forbid, single parenthood a step back in the eyes of activists and feminists? If the choice to terminate a pregnancy is radical, why isn’t the choice in being a mother radical?
  • why don’t single parents attend your conferences, trainings, meetings, skill shares? Do you care that single parents don’t attend your events? Are you really thankful that snotty, bratty kids are not around to ruin your Utopian experience?
  • don’t you want the next generation to care about the same things you care about? When will this happen?
  • radical SINGLE parenting, heck, single parenting is so so fucking DIFFERENT than a family with 2 parents. SO SO DIFFERENT.
  • racism almost always comes into play for single mothers of color.
  • what new skills and influences will single parents give their children if the community doesn’t think it’s important for them to be involved? Luckily for me, I am awesome in all respects and will/am teaching my kids all about alternative media; non gendered play; violence in cartoons; baking vegan goodies; single mom awesomeness who uses a hammer are always the hero; that we will survive; writing; sewing; crafts… and so forth.

This questions and concerns, I believe, will never be resolved. But these are some of the reasons the single parents in your communities might not be receptive to your call for actions. Retreat, re-access, prioritize is the common measures taken by single parents when they see the resistance to others caring about their concerns.


Noemi Martinez
http://www.hermanaresist.com

Wednesday, March 25, 2009




Peace Gumbo YaYa Supporters,

Thank you for your generous thoughts, participation and support since the first cycle of Gumbo YaYa in 2007. Gumbo YaYa has travelled from NYC to NC drawing on the power of sisterhood and creative healing in every session or workshop. The second cycle of gumbo yaya is wrapping up in Durham, NC.

Here are a few updates:

New Community Support!
Gumbo YaYa is pleased to announce new sponsor, The Body Shop. The Body Shop (http://www.thebodyshop-usa.com/bodyshop/) is providing wellness and beauty items for the Gumbo Yaya Sister Circle and supporters. Many thanks to our awesome intern, Kenya C. Harris, for solidifying this sponsorship. You rock Kenya!

Love is Radical Performance!
Gumbo YaYa is wrapping up its second cycle on 3/29/2009 with a community performance, panel, and potluck.

What: Love is Radical: Performing Mothering, Daughtering, and Sistering
When: 3/29/09, 2:30 pm
Where: 214 Broadway St.
Durham, NC
Who: The Entire Community
Cost: Free
Why: Because we want to share our magic with you!

Please bring a dish, dessert, or beverage for the community potluck.
More Information: bettysdaughterarts@gmail.com or 919.423.3780

Please tell everyone you know to come out and support Gumbo YaYa!

Gumbo on the Go!
A Gumbo YaYa session was presented at the 5th Annual State of the Nation Arts and Performance Festival. Accepted with open arms by a diverse community of artists and activists, women and men engaged in "Brilliant Tomorrows: Sister(ing) as Creative Communal Performance" session in New Orleans, LA. www.sonfestival.org.

Brilliant Tomorrows will also be presented at the first We Are 1 Women's Conference in Durham, NC. The conference seeks to bring women together regardless of sexuality, faith, ethnicity. Check them out at http://www.infinitydiamondclub.com/infinity_diamond_club_015.htm.

On the Horizon...
Gumbo YaYa, the movie!
Gumbo YaYa, the curriculum!


We want to hear from you!
-Join our list serv at http://bettysdaughterarts.synthasite.com/contact.php.

-Check out our website and leave a comment at www.iamnotaproject.wordpress.com.

In sisterhood and community building,
Gumbo YaYa/ or this is why we speak in tongues

Wednesday, March 18, 2009

Monday, March 16, 2009

Eternal Summer of the Black Feminist Mind: Claudia Jones

Jones was known for giving out book lists to women she met on the street, in the laundromat and everywhere else.  Our radical reading group honors this legacy.


Jones was known for giving out book lists to women she met on the street, in the laundromat and everywhere else. Our radical reading group honors this legacy.

Eternal Summer of the Black Feminist Mind: Session 3

Claudia Jones---Co-Sponsored by the People's Durham Initiatve

March 31st 6pm

Potluck at Lex's House (alexispauline@gmail.com for directions)

In her crucial book on the political life of Claudia Jones, Carole Boyce Davies describes Jones as "Left of Karl Marx." Jones is literally buried in the same cemetery as Marx, to his left, but Boyce Davies is also suggesting that Claudia Jones a rarely remembered black feminist Trinidadian communist organizer who was deported during the McCarthy Era for her radical beliefs and activities, is also left of Marx politically because her black feminist approach and her empahsis on cultural transformation challenged the limits of Marxism.

In her essay "An End to the Neglect of the Problems of the Negro Women" (download here) Claudia Jones articulates her understanding of how black feminism can transform the left in a revolutionary way. Join us, in Durham or wherever you are in reading and discussing this essay this month (because every month is women's history month!!!!)

love,

BrokenBeautiful Press

Wednesday, March 11, 2009

ORIGINAL FOR COLORED GIRLS CAST MEMEBER OFFERS PEFORMANCE WORKSHOP!!!


The Theater of the Oppressed Laboratory (TOPLAB)
--a member of The Institute for Popular Education at the Brecht Forum--
--founded in 1990--
451 West Street
New York, New York 10014
(212) 924-1858
toplab@toplab.org
http://www.toplab.org


The Theater of the Oppressed Laboratory presents

Confronting Diabetes with Theater

Two Workshops with Robbie McCauley

Saturday, March 21,2009 from 1:00 to 4:00 pm
Register online at http://brechtforum.org/events/diabetic-dramas-1?bc=

Saturday, April 25,2009 from 1:00 to 4:00 pm
Register online at http://brechtforum.org/events/diabetic-dramas-2?bc=

Award-winning actress Robbie McCauley returns to the Brecht Forum to lead
a series of workshops called "Diabetic Dramas" based on subject matter
from her performance piece *Sugar*, which looks at everything there is to
see about sugar, from slavery to colonialism to American mythologies to
diabetes. An ongoing work-in-progress, *Sugar*, which will be presented
again at the Brecht Forum in June, will incorporate some of the story
exchanges by participants in the "Diabetic Drama" workshops facilitated by
Ms. McCauley. Through the interweaving of stories, images, facts and lore
we will see that diabetes is not only a medical issue but also one of race
and class, and we will also see how sugar is sometimes something that is
very bittersweet.

The first Diabetic Drama workshop took place in January and will continue
with two more workshops on March 21 and April 25. It is not necessary to
have attended the January session to enroll in the March or April
sessions.

Robbie McCauley has been an active presence in the American avant-garde
theater for three decades. One of the early cast members of Ntozake
Shange's *for colored girls who have considered suicide when the rainbow is
enuf*, Ms. McCauley went on to write and perform regularly in cities across
the country, striving to facilitate dialogs on race between local whites
and blacks.

In the 1990s, she received both an OBIE Award (Best Play) and a New York
Dance and Performance (BESSIE) Award for *Sally's Rape*, which she wrote,
directed and performed.

A core member of the American Festival Project, she has practiced and
taught theater in several communities throughout the US and abroad. She is
anthologized in several books, including Extreme Exposure; Moon Marked and
Touched by Sun; and Performance and Cultural Politics, edited respectively
by Jo Bonney, Sydne Mahone, and Elin Diamond.

In 1998, her *Buffalo Project* was highlighted as one of the "the 51 (or so)
Greatest Avant-Garde Moments" by the Village Voice, a roster that included
work by artists such as Igor Stravinsky, Pablo Picasso, and John Cage. Her
recent piece, *Sugar*, a work in progress, was presented at Ohio State
University in collaboration with several institutional departments and
organizations, and with members of Columbus' Near East community.

Robbie McCauley is on the Performing Arts Department faculty at Emerson
College in Boston.

Co-sponsored by the Theater of the Oppressed Laboratory (TOPLAB) and the
Brecht Forum.

Tuition--sliding scale: $15-$35

Pre-registration required.

Register online by using the links above or contact TOPLAB at
toplab@toplab.org or (212) 924-1858.

All sessions take place at:

The Brecht Forum
451 West Street*
New York City

* travel directions below

*****

Other Upcoming TOPLAB Workshops

March 28-29: The Rainbow of Desire
(info at http://brechtforum.org/events/rainbow-desire?bc=)

March 29: Closing party for Refuge and Resistance: Reflections on Gendered
Violence (an installation and performance piece conceived and executed by
Ocean Ana Rising)
(info at
http://brechtforum.org/events/ocean-anna-rising-presents-refuge-and-resistance?bc=)

April 18-19: Cop-in-the-Head
(info at http://brechtforum.org/events/cop-head-0?bc=)

May 23-28: Workshops with Augusto Boal
(info from toplab@toplab.org or [212]924-1858)

May 25: An Evening with Augusto Boal
(info at http://brechtforum.org/boalperformance-2009?bc=)

*****

Travel Directions

The Brecht Forum and TOPLAB are at:

451 West Street *
(between Bank and Bethune Streets in the far West Village,
1-1/2 blocks north of West 11 Street)
New York City

* Note: West Street is the same as the West Side Highway

Subway

IND Eighth Avenue A, C, or E to 14 Street or BMT Canarsie L to Eighth
Avenue (take a few minutes to look at "Life Underground", Tom Otterness'
series of whimsical bronze sculptures scattered throughout both sections
of the station). Walk down Eighth Avenue (against the traffic) to Bank
Street (at Abingdon Square). Turn right on Bank and walk west to West
Street. Turn right, walk a quarter-block to 451.

IRT Seventh Avenue 1, 2, or 3 trains to 14 Street. Exit at the south (12
Street) end of the station. Walk a short block west, across 12 Street, to
Greenwich Avenue. Turn left and walk one block to Bank Street. Turn right,
walk west on Bank Street to Abingdon Square. Bank Street continues on the
other side of the park; keep walking on Bank Street to West Street. Turn
right, walk a quarter-block to 451.

New Jersey PATH train to Christopher Street. Walk north (with the traffic)
on Greenwich Street to Bank Street. Turn left, walk west on Bank Street to
West Street. Turn right, walk a quarter-block to 451.

(From Penn Station or Port Authority Bus Terminal take the IND Eighth
Avenue A, C or E trains downtown to 14 Street and follow the directions
above. From Grand Central Station take the IRT Lexington Avenue 4, 5 or 6
trains downtown to 14 Street/Union Square and then change to the BMT
Canarsie L train heading toward Eighth Avenue. Follow the directions
above.)

Bus

#8 (Ninth/Christopher Streets crosstown) to Christopher and West Streets,
walk up West Street to 451.

#11 (Ninth and Tenth Avenues): From uptown--to Abingdon Square (at Bethune
Street). Walk south one very short block to Bank Street, turn right, walk
west to West Street. Turn right, walk a quarter-block to 451. No service
from downtown--Abingdon Square is the terminal stop.

#14A (Grand/Essex Streets/Avenue A/Fourteenth Street crosstown) to
Abingdon Square (at Bethune Street). Walk south one very short block to
Bank Street, turn right, walk west to West Street. Turn right, walk a
quarter-block to 451.

#20 (Seventh Avenue and Hudson Street/Eighth Avenue): From downtown--to
Abingdon Square (at Bethune Street). Walk south one very short block to
Bank Street, turn right, walk west to West Street. Turn right, walk a
quarter-block to 451. From uptown--to 12 Street (near St. Vincent
Hospital). Walk a short block west, across 12 Street, to Greenwich Avenue.
Turn left and walk one block to Bank Street. Turn right, walk west on Bank
Street to Abingdon Square. Bank Street continues on the other side of the
park; keep walking on Bank Street to West Street. Turn right, walk a
quarter-block to 451.

Car

Drive west on 11 Street all the way to West Street (West Side Highway).
Turn right for one block, to 451, between Bank and Bethune Streets.

Along the West Side Highway: From downtown--stay to the right and follow
the Highway to 451, between Bank and Bethune Streets. From uptown: Take
the Highway to Clarkson Street (exit left), make a U-turn at Clarkson and
proceed back up the Highway to 451, between Bank and Bethune Streets.

Note that there is no legal parking on many parts of West Street before
6:00 pm, and parking on the surrounding streets is scarce. Fines for
illegal parking are a minimum of $115, and your car could be towed.
Retrieval can cost you as much as $300. Fees at parking lots and garages
can run as high as $35 a day. WE URGE YOU TO USE PUBLIC TRANSPORTATION.


===
The Theater of the Oppressed Laboratory (TOPLAB)
toplab@toplab.org
http://www.toplab.org

"My fellow Americans, major combat operations in Iraq have ended. In the
battle of Iraq, the United States and our allies have prevailed."
--George W. Bush, May 1, 2003

"...I told the American people that the road ahead would be difficult, and
that we would prevail. Well, it has been difficult--and we are
prevailing."
--George W. Bush, June 28, 2005

"Our cause in Iraq is noble and necessary....America is engaged in a new
struggle that will set the course for a new century. We can and we will
prevail."
--George W. Bush, January 10, 2007

"Prevailing in Iraq is not going to be easy."
--George W. Bush, March 19, 2007

+U.S. military fatalities through May 1, 2003: 140
+U.S. military fatalities through June 28, 2005: 1743
+U.S. military fatalities through January 11, 2007: 3017
+U.S. military fatalities through March 19, 2007: 3217
+U.S. military fatalities as of March 10, 2009: 4256 (this figure exceeds
the number of people killed in all of the incidents that occurred on
September 11, 2001)

+Iraqi deaths due to the US invasion, as of September 2004 (estimated by
The Lancet): 100,000+
+Iraqi deaths due to the US invasion, as of July 2006 (estimated by The
Lancet): 654,965
+Iraqi deaths due to the US invasion, as of March 10, 2009 (estimated
by Just Foreign Policy): 1,311,696*

*These figures are based on the number of deaths estimated in The Lancet
(the British medical journal) study through July 2006, and then updated
based "on how quickly deaths are mounting in Iraq". To do that, Just
Foreign Policy multiplies The Lancet figure as of July 2006 by the ratio
of current deaths reported by Iraq Body Count (IBC), divided by IBC deaths
as of July 1, 2006. The IBC numbers, considerably lower than those cited
by The Lancet, Opinion Research Business (a British polling firm which
estimated 1.2 million Iraqi deaths as of September 2007), and even the
Iraq Ministry of Health, are based on the number of fatalities cited in
various news reports and have been criticized, with much justification,
for not giving an accurate assessment of the real Iraqi death count. The
much more rigorous and statistically-reliable study, conducted by teams
from Johns Hopkins University, Columbia University and Al-Mustansiriya
University, and published in The Lancet in September 2004, put the figure
at around 100,000 civilians dead. However, that data had been based on
"conservative assumptions", according to research team leader Les Roberts,
and the actual count at that time was credibly assumed to be significantly
higher. For example, The Lancet study's data greatly underestimated
fatalities in Fallujah due to the surveying problems encountered there at
that time. The second Lancet study, released on October 10, 2006,
indicated that 654,965 "excess" deaths of Iraqis have occurred since the
outbreak of the aggression and genocide committed by the United States
against the people of Iraq. The current figures provided by Just Foreign
Policy seem to be logically consistent with the increasing rates of death
from 2003 to 2004, and 2004 to 2006.

Sources: http://www.justforeignpolicy.org/iraq/iraqdeaths.html
http://www.antiwar.com/casualties/
http://icasualties.org/oif/
http://www.iraqbodycount.org/
http://www.zmag.org/lancet.pdf
http://www.guardian.co.uk/Iraq/Story/0,2763,1338749,00.html
http://www.agoracosmopolitan.com/Iraq_war.html
http://www.socialistworker.co.uk/article.php4?article_id=6271
http://olm.blythe-systems.com/pipermail/nytr/Week-of-Mon-20041025/008279.html
http://www.thelancet.com/webfiles/images/journal/lancet/s0140673606694919.

Tuesday, March 10, 2009

Monday, March 09, 2009

SPEAK!: Words of Radical Womyn of Color

Greetings loved ones,
I am THRILLED to let you know about the release of a CD created by SPEAK! a Radical Womyn of Color Media Collective that I have been learning and growing in for the past few years. SPEAK! the self-titled CD is an amazing resource and I'm so proud to be a part of it because I truly believe that it is fierce and transformative in the tradition of This Bridge Called My Back. I know that being part of this process has changed my life.

The CD is available for purchase at www.speakmediacollective.com. The CD is part of a pilot grassroots fundraising project to fund young mothers of color to attend national gatherings within the progressive movement starting with the Allied Media Conference in Detroit this summer.

I am super super proud to be part of this project (even though I am freaked out about the recorded sound of my own voice). One of the featured poems on this CD is "Wishful Thinking" a poem that (as most of you know) I wrote for the National Day of Truthtelling in Durham, NC. I.e. it's a poem a wrote for you.

Your support for this project means everything to me.

love,
lex

p.s. To listen to an interview with Adele...the loving genius diva who first spoke and facilitated the idea that became this CD click here:
http://madamaambi.blogspot.com/2009/03/adele-nieves-speak.html

p.p.s. here is the official press release...SPREAD THE WORD!

SPEAK! WOMEN OF COLOR MEDIA COLLECTIVE RELEASING SELF-TITLED DEBUT CD
UNITED STATES — March 7, 2009– SPEAK! Women of Color Media Collective, a netroots coalition of women of color bloggers and media-makers, is debuting March 7, 2009 with a performance art CD, accompanied by a collaborative zine and classroom curriculum for educators.

Speak! members at the Liquid Words studio

handful of Speak! members at the Liquid Words studio

Compiled and arranged by Liquid Words Productions, the spoken word CD weaves together the stories, poetry, music, and writings of women of color from across the United States. The 20 tracks, ranging from the explosive “Why Do You Speak?” to the reverent “For Those of Us,” grant a unique perspective into the minds of single mothers, arrested queer and trans activists, excited children, borderland dwellers, and exploring dreamers, among many others.

“We want other women of color to know they are not alone in their experiences,” said writer and educator Alexis Pauline Gumbs of Broken Beautiful Press, one of the contributors to the CD. “We want them to know that this CD will give sound, voice and space to the often silenced struggles and dreams of women of color.”

The Speak! collective received grant assistance from the Allied Media Conference coordinators to release a zine complementing the works featured on the CD, as well as a teaching curriculum for educators to incorporate its tracks into the classroom environment.

“Speak! is a testament of struggle, hope, and love,” said blogger Lisa Factora-Borchers of A Woman’s Ecdysis. “Many of the contributors are in the Radical Women of Color blogosphere and will be familiar names… I can guarantee you will have the same reaction as to when I heard them speak, I was mesmerized.”

To promote the initiative, the Speak! collective is coordinating listening parties in communities across United States, creating short YouTube promotions illustrating the CD creation process, and collaborating with organizers and activists online and offline.

The CD is available for online ordering at http://speakmediacollective.com on a sliding scale beginning at $12. All inquiries for review copies should be directed to us at speakcd@gmail.com. Proceeds of this album will go toward funding for mothers and/or financially restricted activists attending the 11th Annual Allied Media Conference in Detroit, MI from July 16-19.

###

Please spread the word on your blogs and websites!

Sunday, March 08, 2009

Because We Are

Hey loved ones,
Here is a video that I made for us on this day of healing and commmunity.



Thursday, March 05, 2009


Gumbo YaYa Celebrates Women's History Month
with Love is Radical:
Approaches to Mother(ing), Daughter(ing), and Sister(ing)


Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com
www.bettysdaughterarts.synthasite.com


Durham, NC- March 5, 2009

Gumbo YaYa, ushers in Women's History Month with a four-part series of creative arts workshops, performances, and community-wide discussions about the beautiful complexity of relationships among women of the African diaspora.

Gumbo YaYa Dates of Importance:
March 8: The Aesthetics of Intimacy: Daughter(ing) as Communal Performance with Ebony Noelle Golden

March 15: Love is Radical: Performing Mother(ing), Daughter(ing), and Sister(ing) with Gumbo YaYa Sister Circle

March 22: Performance Rehearsal

March 29: Community Performance and Panel Discussion with the Gumbo YaYa Sister Circle (this performance is open to the entire community)

Nancy (Nia) Wilson, executive director of SpiritHouse-NC, shares, "Thank you to our sponsors: The North Carolina Humanities Council, Healing with CAARE, Inc., betty's daughter arts collaborative, and everyone who has supported this process by providing child care, cooking a meal, or attending a session. Gumbo YaYa is such a wonderful way to begin or continue building a healthy relationship between women and girls in our communities."

Ebony Noelle Golden, creative director of Gumbo YaYa, is over-joyed by the response. "Our sessions have been generously attended every week. Mothers have brought their daughters and granddaughters. I can't wait to see what the final performance brings, and what the lasting effect of this 12-week session will be."

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships among black mothers, daughters, and sisters.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa provides child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

Wednesday, March 04, 2009

Sweets for the Sweet: Queer Intergenerational Language Practice

Hey all,
This is a video that the brilliant, dashing, delightful, delectable (okay i'll stop) Julia Wallace made for a panel that she, Bea Sullivan, Moya Bailey and I collaborated on last month. Enjoy!
love,
lex



Sweets from the Sweet: intergenerational language (re)production from J. Roxanne on Vimeo.

Thursday, February 26, 2009

Gumbo YaYa Celebrates Women's History Month
with Love is Radical:
Approaches to Mother(ing), Daughter(ing), and Sister(ing):
Creative Arts Workshops, Performance, and Panel" (2:00-5:00)




Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com
www.bettysdaughterarts.synthasite.com


Durham, NC- Feb. 26, 2009

Gumbo YaYa, ushers in Women's History Month with a series of creative arts workshops, performances, and community-wide discussions about the beautiful complexity of relationships among women of the African diaspora.

Gumbo YaYa Dates of Importance:
March 1: Alt(a)rations: Building Sacred Space in Community with SpiritHouse (this session will begin at CAARE and move to other sites.)
March 8: The Aesthetics of Intimacy: Daughter(ing) as Communal Performance with Ebony Noelle Golden
March 15: Love is Radical: Performing Mother(ing), Daughter(ing), and Sister(ing) with Gumbo YaYa Sister Circle
March 22: Performance Rehearsal
March 29: Community Performance and Panel Discussion with the Gumbo YaYa Sister Circle (this performance is open to the entire community)

Nancy (Nia) Wilson, executive director of SpiritHouse-NC, shares, "Thank you to our sponsors: The North Carolina Humanities Council, Healing with CAARE, Inc., betty's daughter arts collaborative, and everyone who has supported this process by providing child care, cooking a meal, or attending a session. Gumbo YaYa is such a wonderful way to begin or continue building a healthy relationship between women and girls in our communities."

Ebony Noelle Golden, creative director of Gumbo YaYa, is over-joyed by the response. "Our sessions have been generously attended every week. Mothers have brought their daughters and granddaughters. I can't wait to see what the final performance brings, and what the lasting effect of this 12-week session will be."

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships among black mothers, daughters, and sisters.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa provides child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

Monday, February 23, 2009

some kind of way

for Shirlette

sometimes the only way is stomping your foot
'til your words get thunder cousins
beating up through the floorboards
ready to represent

sometimes the only way is to close your eyes
throw your body towards the ceiling
bumping chests with god in greeting
sometimes the only way is to jump

sometimes the only way is slippers
refrigerator refuge
sometimes the only way is a seat
made of prayer, shifting like hello

sometimes the only way is words
clapped together and throat lined with silver
to echo off our faces
fill our small fists of nothing

some people would call
what you do
making a way
out of no way

but i think

you are proof
that there is always
always always
some kind of way home.

Tuesday, February 17, 2009

Gumbo YaYa Continues Feb. 22
with "Meditation and Creative Visioning:
Building Intergenerational Bridges Among Black Women and Girls" led by Kenya Harris (3:00-5:30)




Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com
www.bettysdaughterarts.synthasite.com


Durham, NC- Feb. 17, 2009

The North Carolina Humanities Council and SpiritHouse-NC sponsor a creative healing and expression process for women and girls of the African diaspora in Durham, NC. We are pleased to announce that Kenya Harris, Gumbo YaYa's Intern, will lead this session along with two youth participants Bryonna and Nadirah.

The 12-week process, Gumbo YaYa, began January 4 and as is now gearing up to enter its third month with a series of performance workshops that will lead up to the final performance, March 29. Gumbo YaYa continues to incorporate methods for growth,expression, and community-building to actualize individual and artistic processes. The theme of this session is "Love is Radical: Approaches to Mothering, Daughter(ing), and Sister(ing)".

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships among black mothers, daughters, and sisters.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa will provide child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.

Ebony Noelle Golden, Creative Director of Gumbo YaYa thanks the North Carolina Humanities Council, SpiritHouse-NC, and Healing with CAARE, Inc. for their generous sponsorship.

Nancy "Mama Nia" Wilson, Executive Director of SpiritHouse-NC said, "We are really looking forward to hosting Gumbo YaYa. This process will definitely help to continue conversations black women and girls are having about how we relate to each other. We hope this process helps mothers, daughters, and sisters strengthen their relationships with each other and the larger communities."

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

Thursday, February 12, 2009

Gumbo YaYa "Sista Circle" Continues with Feb. 15
with "Dancing with Our Spirits: Understanding Our Lives Through Rhythm" with
Mabinti Shabu (3:00-5:30)



Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com www.bettysdaughterarts.synthasite.com


Durham, NC- Feb. 12, 2009

The North Carolina Humanities Council and SpiritHouse-NC sponsor a creative healing and expression process for women and girls of the African diaspora in Durham, NC. We are pleased to announce that Mabinti Shabu of The Magic of African Rhythm will lead the Gumbo YaYa Sisters in a 4-session choreolab that will inform and enhance the participants individual lives and craft the choreography for the final community performance, March 29.

The 12-week process, Gumbo YaYa, began January 4 and as is now in its second month. Gumbo YaYa continues to incorporate methods for growth,expression, and community-building to actualize individual and artistic processes. The theme is "Love is Radical: Approaches to Mothering, Daughter(ing), and Sister(ing)".

Up-coming Sister Circles Include

Feb. 22, "Meditation and Creative Visioning: Building Intergenerational Bridges Among Black
Women and Girls"

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships between black mothers, daughters, and sisters. The "sista circle" series culminates in multimedia theater performance March 29.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa will provide child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.


Ebony Noelle Golden, Creative Director of Gumbo YaYa thanks the North Carolina Humanities Council, SpiritHouse-NC, and Healing with CAARE, Inc. for their generous sponsorship.

Nancy "Mama Nia" Wilson, Executive Director of SpiritHouse-NC said, "We are really looking forward to hosting Gumbo YaYa. This process will definitely help to continue conversations black women and girls are having about how we relate to each other. We hope this process helps mothers, daughters, and sisters strengthen their relationships with each other and the larger communities."

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

Tuesday, February 10, 2009

In Your Hands


Introducing In Your Hands: A Letter Receiving Project
Since love is not scarce, our ancestors bathe us in it every moment that we dare to receive.

I have learned that there are sources of nurturing that are older than us and swifter than our bodies. I am noticing that those who are no longer here in physical form are teachers in the wind, showing us how we must relate to each other, if we want to survive longer than our bodies and longer than a system that denies us.

I have been writing urgent letters to my ancestors since before I knew they were watching and on the cusp of this new year they whispered a suggestion to me. “How about for this new year, as a gift to yourself, you receive some letters from us, the spirits of women that love you from eternity?”

As ever, my answer was yes. These daily letters from the most beloved of my known and chosen ancestors on behalf of all of the ancestors who have sent us love with their lives and dreams without us knowing came at exactly the right time. When I was afraid to trust myself, I was not afriad to trust their guidance for me. I re-learned a shifting methodology of loving myself firstly as their vessel and secondly as their recipient

Here is a letter I received from Ella Baker:

ella

Big little sister,

Get your guard up against the traps that would seduce you away from your purpose and steer you towards convenience and charisma. Set yourself in the hard work of accountability and sharing. Sharing the work, sharing the skills, sharing the connections, sharing the insight. Like everyone else, I am talking about your health here.

As a worker, for justice, I was able to situate myself in the crucial places where my selflessness could birth community, but I was not so tied up in my own popularity among the inner circles of the movement(s) that I was not able to make the difficult choices, especially for economic justice, that had me excluded from so many spaces and conversations.

You are right to be youth-focused because this is about access. You are right to be obsessed with both the old and the dead because that is where you will get your grounding and context. You are right when you remember that you are not the one inventing this.

It is the example of your grandparents, your accountability to the youth and your living relationships to your sisters that will make your life and work meaningful. Never forget who your people are and what they deserve, which is all of who you are.

You have work to do.

EB

And my ancestors are socialist, so of course they would ask me to share these intimate insights and gifts with you. Of course they would want me to bring their messages to your waiting ears, but more than that I want to share this practice and encourage that you engage it for yourself.

I don’t know what ancestors speak to you or why and when they do, but I have been asked to ask you to listen, lovingly for what the universe wants you to know.

Can you join me? Think of the people who have influenced you, while they were living or through their written, or retold legacies. Just think about them and let your mind relax, let their energy surround and fill you. Create quiet times in your days in case they have something to say.

I encourage you to add your insights here on the “your letters” page if your feel that what you have received could provide healing and wisdom for the rest of us. I encourage you keep your writings for yourself if you feel that they should remain private. The messages of our living dead are sacred. They transcend the norms of intellectual property, and they should be treasured by your best impulse.

My intention here is to share with you an abiding sustaining faith in presence of those who have gone before and their participation in our everyday.

I invite your observance or participation with love.

Always,

alexis

Tuesday, February 03, 2009

Get Hip and Get Some Free Poetry in Your Life!

Get Hip and Get Some Free Poetry in Your Life!

Greetings lovers of poetry, art, and culture!

Betty's Daughter Arts Collaborative is now accepting poetry, residency, and performance bookings for Black History, Women's History, and National Poetry Months.

If your organization, non or for profit, is located in New York and California, as well as in Atlanta, Chicago, Detroit, Houston, Seattle, New Orleans, Tucson, and Washington D.C, you are in luck! Poets & Writers, an organization dedicated to bringing literary arts to communities across the country, will help pay the honorarium. Just visit http://www.pw.org/funding for more information.

Here is a short list of what I can offer:

1. Residencies: Poetry, Spoken Word, Performance Poetry, Experimental and Community-Based Performance
2. Readings: Poetry, New Works, Performance Works (original works)
3. Workshops: 1 hr, 1 1/2 hrs
4. Combos: Performance and Workshop
5. Teacher/ Artist Trainings: 1 hr, 1 1/2 hrs

Visit
http://bettysdaughterarts.synthasite.com/a-poetics-of-process.php for teaching philosophy and sample lesson plan.

Bio:
Ebony Noelle Golden is the daughter of Pearl Glover, Bertha Sims and Betty Sims. She is a native of Houston, TX. Ebony holds a BA in English Literature and Poetry from Texas A & M University an MFA in Poetry from American University and a MA in Performance Studies from New York University. Ebony is an artist and cultural worker who has been awarded grants from the Atlantic Center for the Arts, Fund for Southern Communities, North Carolina A & T University and New York University. She has been published by Black Issues and Books Review, American Book Review, Obsidian, Pluck, and Third World Press. Ebony serves as the creative director of Betty’s Daughter Arts Collaborative, a boutique arts consulting group, based in NYC and NC. Her current projects include, “Gumbo Ya/Ya or This is Why We Speak in Tongues”, Images: for Younger SiStars, The Community Writing Intensive, i hear you breathing for me/ an embodied blues for meagan williams (multi-media performance) and “again, the water carriers” (a full length book of poetry). Ebony’s work is informed by her ancestral and spiritual family, guides, and homes, primarily. She can be reached at bettysdaughterarts@gmail.com or ww.bettysdaughterarts.synthasite.com.

Betty's Daughter Arts Collaborative looks forward to working with you to create "radical expressiveness in community".

Yours truly in the arts,

Betty's Daughter Arts Collaborative
www.bettysdaughterarts.synthasite.com
www.iamnotaproject.wordpress.com

Monday, February 02, 2009

The Revolution Starts at Home!!!!!




Hey all,
Check out a review by Aaminah Hernandez of the zine "The Revolution Starts at Home: Confronting Violence in Activist Communities" which features a segment on the work of Durham NC's UBUNTU family!

http://feministreview.blogspot.com/2009/02/revolution-starts-at-home-confronting.htmlLink

Wednesday, January 28, 2009

Gumbo YaYa "Sista Circle" Continues with

"Mother. Ourselves" Interactive Workshop led by Alexis Pauline Gumbs and

Zachari Curtis (3:00-5:30)

Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com www.bettysdaughterarts.synthasite.com

Durham, NC- Jan. 28, 2009

The North Carolina Humanities Council and SpiritHouse-NC sponsor a creative healing and expression process for women and girls of the African diaspora Durham, NC. The 12-week process, Gumbo YaYa, began January 4 and will continue to March 29 with a creative performance. Now in its second month, Gumbo Yaya continues to incorporate methods for growth,expression, and community-building to actualize individual and artistic processes. The theme is "Love is Radical: Approaches to Mothering, Daughter(ing), and Sister(ing)".

Up-coming Sister Circles Include

Feb. 1, "Mother. Ourselves." with Alexis Pauline Gumbs and Zachari Curtis.
Feb. 8, "In The Beginning Was Her Word: Empowering Women One Story At A Time", with Dr. Anjail Rashida Ahmad.Feb. 15, "The Healing Practice of Dance"
Feb. 22, "Meditation and Creative Visioning: Building Intergenerational Bridges Among Black
Women and Girls"

The "sista circle" uses methods such as improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships between black mothers, daughters, and sisters. The "sista circle" series culminates in multimedia theater performance at the end of March.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa will provide child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.
Ebony Noelle Golden, Creative Director of Gumbo YaYa thanks the North Carolina Humanities Council, SpiritHouse-NC, and Healing with CAARE, Inc. for their generous sponsorship. Nancy "Mama Nia" Wilson, Executive Director of SpiritHouse-NC said, "We are really looking forward to hosting Gumbo YaYa. This process will definitely help to continue conversations black women and girls are having about how we relate to each other. We hope this process helps mothers, daughters, and sisters strengthen their relationships with each other and the larger communities."

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com
Gumbo YaYa "Sista Circle" Continues with

"Mother. Ourselves" Interactive Workshop led by Alexis Pauline Gumbs and

Zachari Curtis (3:00-5:30)

Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com www.bettysdaughterarts.synthasite.com

Durham, NC- Jan. 28, 2009

The North Carolina Humanities Council and SpiritHouse-NC sponsor a creative healing and expression process for women and girls of the African diaspora Durham, NC. The 12-week process, Gumbo YaYa, began January 4 and will continue to March 29 with a creative performance. Now in its second month, Gumbo Yaya continues to incorporate methods for growth,expression, and community-building to actualize individual and artistic processes. The theme is "Love is Radical: Approaches to Mothering, Daughter(ing), and Sister(ing)".

Up-coming Sister Circles Include

Feb. 1, "Mother. Ourselves." with Alexis Pauline Gumbs and Zachari Curtis.
Feb. 8, "In The Beginning Was Her Word: Empowering Women One Story At A Time", with Dr. Anjail Rashida Ahmad.Feb. 15, "The Healing Practice of Dance"
Feb. 22, "Meditation and Creative Visioning: Building Intergenerational Bridges Among Black
Women and Girls"

The "sista circle" uses methods such as improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships between black mothers, daughters, and sisters. The "sista circle" series culminates in multimedia theater performance at the end of March.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa will provide child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.
Ebony Noelle Golden, Creative Director of Gumbo YaYa thanks the North Carolina Humanities Council, SpiritHouse-NC, and Healing with CAARE, Inc. for their generous sponsorship. Nancy "Mama Nia" Wilson, Executive Director of SpiritHouse-NC said, "We are really looking forward to hosting Gumbo YaYa. This process will definitely help to continue conversations black women and girls are having about how we relate to each other. We hope this process helps mothers, daughters, and sisters strengthen their relationships with each other and the larger communities."

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

Wednesday, January 21, 2009

Greetings Gumbo YaYa Supporters,

Last week's session "Brilliant Tomorrows: Sister(ing) as Communal Creative Performance" was a success! We had 20 women in attendance as we engaged diverse ways of practicing sisterhood.

This sunday features an extended gourd making and percussion workshop, HandWork to HeartWork" led by Connie Leeper of Kannapolis, NC. The session will begin at 2:30 and end 6:30. All programs happen at Healing with CAARE, Inc on 214 Broadway St in Durham, NC.

We are also pleased to announce that two of our youth, Nadirah and Bryonna, will lead us in a meditation and visualization activity to start the workshop.

As always, dinner and child care will be provided.

Additionally, please see the link to more pictures of the Everlasting Life workshop from our second week. Thank you sister Courtney Powell-X for the photography work.

http://picasaweb.google.com/sis.courtney/GumboYaya?authkey=vLMkbfNO_IU#5293620404058243410

Please visit www.iamnotaproject.wordpress.com and leave us a note!

Sunday, January 11, 2009

Greetings Gumbo YaYa Supporters,

Below you will find upcoming Sister Circle information. Please forward to Black women and girls you think may be interested in coming.

As with all circles, refreshments and child care are provided.
For more information, visit www.iamnotaproject.wordpress.com or bettysdaughterarts@gmail.com



Jan. 18. “Brilliant Tomorrows: Sister(ing) as Communal Creative Performance”
Ebony Noelle Golden

Workshop Description- How are black women taught to sister? What are the some of the rites, rituals, and performances of sistering? How can we honor the space and practice of sistering? In this session, participants will engage in poetry, performance, music, and movement activities that help us create a vocabulary for active, present, and radical sistering.

The workshop is informed by the work and scholarship of Alice Coltrane, Romare Bearden, Ntozake Shange, Augosto Boal, Anna Deveare Smith, Nina Simone, Zora Neale Hurston, Soyini Madison, among others.

Jan. 25 “HandWork to HeartWork” Gourd Making & Percussion Connie Leeper

On the surface, this workshop is about music and gourd making. On a deeper level, it is more about connection…connection to ourselves, playfulness, imagination, culture, health and community. No experience necessary. Must be willing to be open, welcoming & ready to learn and teach. This workshop only requires that you bring your whole self into a process of intentional creativity.

Feb. 1 “Mother. Ourselves.” Alexis Pauline Gumbs & Zachari Curtis What happens when a life’s work stretches to include many lifetimes and multiple bodies? What models of communication allow those of us living in the flesh on this plane to access the imperatives of ancestors and the unborn? This exploration of the practice of spiritual daughterhood demonstrates and investigates radical connection as a calling and a strategy for healing and action.

Presented by three spiritual daughters of Durham visionary artist, educator and now ancestor Nayo Watkins, “Mother. Ourselves.” is both a performative tribute to Mama Nayo’s life and energy and a model for communication across the presumed limits of life itself. Mama Nayo understood the necessity of the creative process to radical political struggle and healing. This is how she lives with us now; reaching forward and back, moving away and drawing us together.

Time, distance, dis(ease), death, scarcity if asserted as essential, linear, terminal, logical, confine individuals and disrupt communication across seemingly impermeable barriers. What we know already is that we already have everything we need in order to reclaim, remember, revision ourselves, together, free. As Nayo put it, “You already know all you need to know… It’s in your bones.”


Feb. 8 “In The Beginning Was Her Word: Empowering Women One Story At A Time”

Dr. Anjail Rashida Ahmad

Over the millennia, women have held societies together word of mouth, hand to hand and vision by vision simply by the words issued from their tongues. The word or the power of one’s intention spoken into existence is the essence of who we are and can be a force that drives the unfolding of our life experiences. This speaking often takes the shape of stories both narrative and poetic. It’s the power of one’s own story articulated and shared that can have a most transforming effect throughout our societies both private and public.

In this workshop, Dr. Ahmad will lead us in uncovering the essence of the words lying at the bottom of our own hearts and use them to formulate our stories/poems/womanifestas-what desires to be spoken that has not yet been uttered.

Participants should bring a photograph of themselves preferably from the remote past. Use black and white if you have it or copy with a black and white copier. Together we will write autobiographically/biographically, herstorically inspired poems. Come prepared to be reaffirmed, to search-out the words and images, to gather and shape them and to share that which has the power to make us whole.

Friday, January 09, 2009

From Lailan for Oscar Grant: No Accidents

loved ones afar,

if you haven't already heard, this is what's poppin' off in oakland right now -- i couldn't make it to the protest this afternoon at the BART station where this young man was shot on new year's day, but the protest came to me instead as i was in my office working late in downtown oakland, as helicopters hovered above and police sirens sounded and screams filled the air, and the anger erupted right outside my window. below is some of the news coverage, the raw video of the murder, and some of my thoughts.

love,
lailan

* * * * *
if you haven't watched the footage caught at BART of the whole incident already, it's f*ckin' intense:
http://www.youtube.com/watch?v=KlfNNiwoa_E&feature=related

there are no accidents here.

the collection of black and brown bodies to 'maintain order' is not an accident.
the dehumanizing detention and abuse of our people in public, everyday, is not an accident.
a young white police man's lack of training and fear of black people is not an accident.
the hiring of white men not from our community to police us is not an accident.

there is only anger here.

here in my belly as i watch the video caught on someone's camera phone,
as crowds of people watched this murder in shock and disbelief and dissent.
here in this country where young black men are shot in the back on a regular basis,
where trigger-trained cops and their departments are never, ever held accountable.
here in this city where oscar grant worked as a butcher to take care of his daughter,
in this town where young people are buried at a faster rate than elders pass on,
here, all that lingers is a desire to smash something, to yell loudly into the still cold air.

there is power here.

there is the people taking back the power to tell the world the truth here.
there is myspace and youtube and camera phones to tell our own stories now.
there is the impact of seeing, like rodney king, that forces us to re-connect, again.
there is power in our re-connecting to injustice in intimate and visceral ways again,
in knowing again the pain in our bodies of news stories we had become numb to.

1.7.09
oakland, CA

fyi, some action steps & news coverage below...
http://www.indybay.org/newsitems/2009/01/03/18558098.php
http://abclocal.go.com/kgo/story?section=news/local/east_bay&id=6592357
http://cbs5.com/local/oscar.grant.funeral.2.902090.html

Tuesday, January 06, 2009

Get Hip and Get Your Necessary Dose of Gumbo YaYa!

January 5, 2009 –A New Year and new process to get the job done
On this new show in the New Year, we talk about upcoming events and setting goals for 2009.
Phyllis Coley, editor of Spectacular magazine and Ebony Noelle Golden creative director of Gumbo Yaya gives us a lot of new information to think about. Phyllis shares info on the upcoming Jan 31 celebration of Martin Luther King in Durham. Ebony tells us about the weekly sisterhood circles that she is guiding. Each of my guests use a process unique to them that I know you will find interesting and can be used as a guide to strengthen your own goals in 2009. Join the conversation and send me your goals that you have set for 2009.

Visit at www.richardbrownshow.com to listen to and download the podcast.

Visit Gumbo YaYa at www.iamnotaproject.wordpress.com

Monday, January 05, 2009

Because We Still Are Here: Radical Women of Color in Solidarity with Palestine

Mai'a Williams and Alexis Pauline Gumbs invite you to participate in a new website documenting and continuting the solidarity of women of color in the United States with the people of Palestine.


email brokenbeautifulpress@gmail.com with any statements of solidarity or documentations of solidarity in action that you would like to share. below is an a excerpt from the site.

www.becausewestillarehere.wordpress.com


we still are here

with our words and with our actions.

on January 3rd, 2009 UBUNTU a women of color/survivor led coalition in Durham North Carolina organized a vigil in solidarity with the people of Gaza. Here are some captioned images from the event.

(photos by Ajamu Dillahunt)

Rachael Derello, the organizer who first voiced the need for a vigil in Durham,  sings "We Shall Be Released"

Rachael Derello, the organizer who first voiced the need for a vigil in Durham, sings "We Shall Be Released"

Manju Rajendran, one of the main organizers who MC'd the event reminds the crowd of the need for aid and medical supplies inside blockaded Gaza.

Manju Rajendran, one of the main organizers who MC'd the event reminds the crowd of the need for aid and medical supplies inside blockaded Gaza.

Alexis Pauline Gumbs, Racheal Derello and Kriti Sharma (speakers from UBUNTU) listen as Laylah Haddad describes the violence her family is experiencing in Gaza due to the Isreali bombings.

Alexis Pauline Gumbs, Racheal Derello and Kriti Sharma (speakers from UBUNTU) listen as Laylah Haddad describes the violence her family is experiencing in Gaza due to the Isreali bombings.

Laylah Haddad told the crowd that her cousins witnessed children bombed to death while playing dice in front of their home in Gaza.

Laylah Haddad told the crowd that her cousins witnessed children bombed to death while playing dice in front of their home in Gaza.

Theresa El-Amin formerly of SNCC and currently organizing with Solidarity reminded the crowd that the City of Durham had once divested from all connections to Apartheid South Africa and must now divest from the Isreali Aparthied state.

Theresa El-Amin formerly of SNCC and currently organizing with Solidarity reminded the crowd that the City of Durham had once divested from all connections to Apartheid South Africa and must now divest from the Isreali Aparthied state.

Nadeen Bir and Kifu Faruq hold sides reminding us that "Until Palestine is Free,  None of Us Are Free"...and connecting the occupation of Palestine and the occupation of Iraq.

Nadeen Bir and Kifu Faruq hold signs reminding us that "Until Palestine is Free, None of Us Are Free"...and connecting the occupation of Palestine and the occupation of Iraq.

And the little ones raise their voices.

And the little ones raise their voices.

other coverage of the Durham event

http://raleighfist.wordpress.com/2009/01/04/durham-protests-gaza-bombings/

http://www.wral.com/news/news_briefs/story/4238908/

Monday, December 29, 2008

Do Not Forget

my rage is inarticulate today. i cannot believe this is happening again, not because it is not predictable, but because the Israeli state's insistence on perpetuating genocide in my generation threatens my belief in humanity. i take this personally.

i am grateful that i hold someone in my heart whose rage is articulate.

i ask that as we hold everyone in Gaza in our hearts we remember this poem by June Jordan:

Apologies to All the People in Lebanon

Dedicated to the 60,000 Palestinian men, women and children who lived in Lebanon from 1948-1983

I didn't know and nobody told me and what
could I do or say, anyway?

They said you shot the London Ambassador
and when that wasn't true
they said so
what
They said you shelled their northern villages
and when U.N. forces reported that was not ture
because your side of the cease-fire was holding
since more than a year before
they said so
what
They said they wanted simply to carve
a 25 mile buffer zone and then
they ravaged your
water supplies your electricity your
hospitals your schools your highways and byways all
the way north to Beirut because they said this
was their quest for peace
They blew up your homes and demolished the grocery
stores and blocked the Red Cross and took away doctors
to jail and they cluster-bombed girls and boys
whose bodies
swelled purple and black into twice the original size
and tore the buttocks from a four month old baby
and then
they said this was brilliant
military accomplishment and this was done
they said in the name of self-defense they said
that is the noblest concept
of mankind isn't that obvious?
They said something about never again and then
they made close to on million human beings homeless
in less than three weeks and they killed or maimed
40,000 of your men and your women and your children

But I didn't know and nobody told me and what
could I do or say, anyway?

They said they were victims. They said you were
Arabs.
They called your apartments and gardens guerilla
strongholds.

They called the screaming devastation
that they created the rubble.
Then they told you to leave, didn't they?

Didn't you read the leaflets that they dropped
from their hotshot fighter jets?
They told you to go.
One hundred and thirty-five thousand
Palestinians in Beirut and why
didn't you take the hint?
Go!
There was Mediterranean: You
could walk into the water and stay
there.
What was the problem?

I didn't know and noboby told me and what
could I do or say, anyway?

Yes, I did know it was the money I earned as a poet that
paid
for the bombs and the planes and the tanks
that they used to massacre your family

But I am not an evil person
The people of my country aren't so bad

You can expect but so much
from those of us who have to pay taxes and watch
American TV

You see my point;

I'm sorry.
I really am sorry.

***********************************************************************************

Throughout her career June Jordan was punished by the US publishing establishment for her refusal to be silent about Isreali aggression against Palestinians and the anti-Arab dehumanization that characterized US foreign engagement with the Middle East. People said she was alienating herself by taking this issue so personally.

I take it personally.

Modelling the form of transnational feminist solidarity that we must aspire towards, June Jordan famously said "I was born a black woman, but now am become Palestinian."


I take it personally that CNN says that Isreal is at war with Hamas, both because it uses the name of an organization to obscure the fact that this attack is launched against the Palestinian people. CNN, like the Israeli state, refuses again and again to even admit that there is such a people as the Palestinian people, that there is such a place as occupied Palestine. This is how genocide works, and I take it personally. I take it personally that in this age a "war" is no longer defined as a military engagement between two nation-states, that we can use the word "war" to describe what an occupying force, in the form of an apartheid state does to the people it has captured in a concentration camp. I am outraged that the only thing we can call for is a cease-fire, as if there is balance. As if these two entities have ever been equal. As if the United States has not been sending most of it's (our) international aid to buy weapons and build walls for the aggressor, the Israeli State. As if the more than 300 Palestinian people killed were equal to the one Israeli person caught by a missile that Hamas launched AFTER 30 missiles hit Gaza.

Would our strategy be to ask for a cease fire between the MOVE organization and the Philadelphia police? Would our strategy be to ask for a cease fire between the Black Panther Party and co-intel pro. "Cease-fire" is a belated and non-sensical term when the resources, the forms of weapons, have already been alloted so disproportionately.

I have a slingshot. When they come for me with a tank will you ask for a cease-fire, ask both sides to calm down?

I am taking this personally. I am not going to calm down.

All you have to do is remember that Palestinians are people like any other people, full of love and hope and beauty and brilliance who can be hurt, even while surviving occupation, racism, attacks against every one of their institutions and the unjust loss over and over again of the lives of their loved ones, of the homes of their skins, of the disrespect of being called out of your name and exiled in your own land again and again. All you have to do it remember that Palestinians are people and the absurdity and tragedy of this situation will fall on your heart and crush it, like mind is crushed today.

But the mass media is asking you to forget, with every word choice transmitted over here about what is going on in occupied Palestine right now. Asking you to forget that simple truth that even without a state (i would say ESPECIALLY without a state) people are people: full of love and priceless.

June Jordan's incisive repetition of "They said/they said so/what" in her poem is an illustration of what we are still being told today. The words of the Israeli state get credit (like the massive amounts of weapon-buying aid that we send them...on credit that they will never have to repay) and when their weak arguments for self defense against a group of people that they have forced into a cage prove to be lies, our media turns away.

All we have to do it to remember that there is no justification for genocide and we will see clearly what justice is. But our media is asking us to forget. Our 60th Anniversary of the State of Israel attending President and our "hail the great state of Israel" President-elect are asking us to forget.

Do not forget.

Sunday, December 28, 2008

Photobucket

Eternal Summer of the Black Feminist Mind!!!

whea167



Due to the huge and affirming response to BrokenBeautiful Press's Summer of Our Lorde we are THRILLED to present the Eternal Summer of the Black Feminist Mind, a portable progressive series based in Durham North Carolina in partnership with SpiritHouse, Southerners on New Ground, UBUNTU, the Land and Sustainability Working Group, Kindred Healing Justice Collective and more.

In 1977 the Combahee River Collective wrote a key black feminist manifesta groundbreaking in it’s assertion that the “major systems of oppression are interlocking. You are invited to the first session on the groundbreaking black feminist document The Combahee River Collective Statement. Download it at www.blackfeministmind.wordpress.com
and check out some radical exercises at www.combaheesurvival.wordpress.com

In Durham we'll be discussing it on January 7th. Email brokenbeautifulpress@gmail.com for details and feel free to read along wherever you are and comment here!

See you (t)here!!!!!

Tuesday, December 16, 2008

Autumn of Anzaldua Continues!

Hey all,
Inspired by Summer of Our Lorde (which went viral from Durham :) INCITE Bay Area is hosting Autumn of Anzaldua. Next they are reading this article

http://download.yousendit.com/Q01HSkhXSytuSlIzZUE9PQ

See the details below if you are in the bay area...or read along wherever you are!
love,
lex

Mark your calenders! The next Autumn of Anzaldua meeting is on Sunday at 3pm in San Francisco at Petra Cafe on Guerrero Street at 17th. If, miraculously, the sun comes out, we can walk a block to Dolores Park and have the meeting there.

http://maps.google.com/maps?ie=utf-8&oe=utf-8&rls=org.mozilla:en-US:official&client=firefox-a&um=1&q=petra+cafe&near=San+Francisco,+CA&fb=1&cid=0,0,15532601520883591366&sa=X&oi=local_result&resnum=4&ct=image

I've been getting a lot of questions about membership and if it is closed for the group so let me stress: please feel free to drop in if you haven't been available until this point--the meetings are very chill and there are no rules about 'membership' or participation other than that it is a women of color space. The space is whatever the folks present create from it.

On Sunday we will discuss the attached reading about Anzaldua and how her mental/physical health influenced her work titled "Gloria Anzaldua's Mestiza Pain: Mexican Sacrifice, Chicana Embodiment, and Feminist Politics" by Suzanne Bost which the fabulous Sofia Lee dug up for us. We agreed to all come with one discussion question about the reading.

See you Sunday!,
rebecca

Monday, November 17, 2008

Quirky Black Girls on the Radio!

People, Places & Things
is Live!!!!
Monday night
8 p.m.-9 p.m.
on Gtown Radio
I (Charing Ball) welcome Alexis Pauline Gumbs, founder of BrokenBeautiful Press (www.brokenbeautiful.wordpress.com) as well as queer black troublemaker, and the other eclectic and eccentric ladies of Quirky Black Girls, a new social networking site for Black girls (and women),who prefer lives outside the box, revel in marching to the beat of their own drums and adore books by Octavia E. Butler.
Plus, what's going on with People, Places & Things around the world with some news that might have flown under your radar including the latest on efforts to stop the city's cuts to local fire engines.
As usual, you can AOL, Yahoo and MSN Instant Message me and our guest at the keyword: gtownradio
Listen live by selecting the "Listen" buttons at the top right hand corner of the web page
Can't listen live? Check out our archives at www.ppt.mypodcast.com

Monday, November 03, 2008

For My People: Freedom in Durham

Hey loved ones,
So because I live in Durham I get to be inspired all the time by the brilliance and creativity of people. Not all the brilliant and creative people in the United States live in Durham, it just feels that way sometimes. Like today when a black woman who is a doctor and a mother of 6 came to speak to the Durham School Board and the Durham Public School administration about why students should be able to choose educational alternatives. Or like right now when Durham's Youth Noise Network is broadcasting a voice recording of June Jordan's "On the Night of November 3rd 1992" about the end of the (first) Bush era and speaking about their views on electoral politics.

So I write about Durham...as often as possible...because people act like they don't know about the resilient, resourceful miraculous people living, working and loving here. I wanted to share two examples with you all that are in cyber and book form right now.
First..check out an article I wrote called "The Life of A Poem: Audre Lorde's 'A Litany for Survival' in Post-Lacrosse Durham" for an online journal called Reflections: A Journal of Writing, Service Learning and Community Literacy. It's in blog format so you can post comments..I hope you do!!!!
And THEN....(I am even more excited about this one) get/find/borrow a copy of Abolition Now!: 10 Years of Strategy and Struggle Against the Prison Industrial Complex just out from AK Press!!! This is a book collaboratively edited by the awesome publications committee of Critical Resistance and it features a chapter I wrote called "Freedom Seeds: Growing Abolition in Durham, North Carolina."

I'm so lucky that I get to live here and be inspired by you!!!!!!
love,
lex